HOW I MADE SCARLET
Sometime in 2019, my wife looked at me and said, "You know I'm a big fan of your work, right?" I thought to myself, "Oh, it's a bout to go down." She continued, "But why don't you introduce more vibrant color into your interiors? Not every space needs to have white walls and parquet floors." (I happened to be in my "white walls and parquet floors" phase, apparently, and she was right. Adding some vibrant colors to walls and furniture would have been a breath of fresh air.)
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HOW I MADE ASO MANSION
This was commercial work for a residential building and the brief included interior design, Facade design, and of course rendering. Working with constraints like a ready and unchangeable architectural plan is quite interesting, you'll have to think outside the box but your ideas must still fit the box (I never quite liked this). As an artist I want to work boundlessly with ultimate freedom, however, I soon realized that design itself exists only because of constraints, problems, and challenges. Without these constraints, design is a pretty boring, if not impossible affair.
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